The movement of the pedestrians could be regarded
as force-vectors thought the space. A person's trajectory
from A -> B is nearly never a straight
line, as many obstacles are in the way (like buildings), imposed trajectories
(pedestrian crossings, sidewalks) and physical limitations (gravity).
At this point a question is asked: how would the pedestrians move when
they were not limited by anything? What could their trajectory be? The
results of these thought processes could never be scientifically correct,
but are an artistic interpretation in nature.
The real pattern of movement, extracted from the video-recording, is
used as a grid in the visualisation process of the movements. The visual
language inspired by the way engineers visualise forcefields, irregular
white triangles are applied on the pavement. The direction of a triangle
on a certain spot will be the dominant direction of the pedestrians at
this spot. However, the closer to the wall, the closer to the virtual
part of the landscape artwork. Triangles that reflect the real patterns
of movement are rotated towards the wall, as if it were iron attracted
by a magnetic force.
The chosen wall available for the landscape artwork, the canvas of the
work, has an important function in the designprocess. This wall acts
an anti-gravity field that deflects the real movements of the pedestrians
towards a movement in virtual space. The design on the wall is based
on extending the dominant directions of the movement as if there was
no wall, no physical restriction.
OUTLINE | WORK
PROCESS | IMAGES | DOWNLOADS | CONTACT
|